Myriam Makeba: Live in Conakry (1971)


Après un tour de chants explosif dont la fin a été saluée par six rappels du public sous les clameurs houleuses, d'applaudissements frénétiques, d'ovations hurlées, de sifflets stridents, celle que l'on a appelée tour à tour, la "Militante de la chanson" "l'impératrice de la chanson africaine", "la pasonaria chantante", Myriam Makeba nous reçoit dans sa loge au "Palais du Peuple".
Des yeux noirs intenses, mobiles, soulignés par un sourire éclatant de fraîcheur et de gentillesse. Une toque à rabat de prêtresse antique, scintillante. Sculptée harmonieusement dans une longue jupe blanche dont la fente du devant montre les jambes large d'un pantalon en tissu imprimé. Richement baguée, des doigts fins et longs au bout de bras qui esquissent de lents et gracieux mouvements pour ponctuer chaque propos. Une voix prenante au grave caressant. Des rires qui partent juvéniles, francs, brefs et se figent aussitôt au sourire fixe et lactescent. Simplicité cordiale, cette légendaire affabilité d'une jeune femme symbolisant et assumant à la fois la longue lutte de libération d'un peuple, son peuple, dans le vaste champ miné de la culture universelle.
"Aussi loin que remontent mes souvenirs, je me vois chantant. Je me rappelle qu'à treize ans, lors d'une visite du roi George V d'Angleterre en Afrique du Sud, j'ai interprété pour lui et sa suite, devant un parterre de personnalités coloniales, un chant Xhoza intitulé: "Hayi Usizi Lamtu". Ce chant pose la question de savoir pourquoi toutes les nations blanches considèrent elles les noirs comme leur descente de lit ? Depuis cette époque je me sers de ma voix comme une arme de combat, et tant que je pourrais aspirer de l'air, je l'utiliserai en plus de toute mon énergie pour lutter résolument en faveur de la libération de tous les peuples africains et de ceux opprimés de par le monde".
D.I.K.

T.P. Orchestre Poly-Rythmo: Eskill & Vicky (1980)



Another LP from Poly-Rythmo composed and sang by Eskill Lohento and Vicky Amenoudji, two famous singers and foundators of the band. This album was recorded in Ivory Coast in 1980 by an obscure label called Omo Sun.

 
Encore un autre 33 tours religieux des Tout Puissant, composé et chanté par les deux mythiques chanteurs et fondateurs de l'eglise Poly-Rythmo. Enregistré en 1980, en Côte d'Ivoire, cet album sonne les cloches du reggae, de l'Afro Cubain, et du Bénin bien sûr. Le label Omo Sun est totalement obscure.


Annassoua Jazz de Parakou

Annasoua Jazz Orchestra is from Parakou, which is loctaed in the north of Benin. This band used to be famous in Benin as Picoby Band was. The leader and the composer of the band is Alidou Boukari. I have no informations yet about him, i am working on it. This vinyl may be very rare, excuse its quality...

Diovi
Dintchigoba

Ay! Obaranon
Mèmiwé

Ruy Mingas (Angola, 1969)


Angolan vocalist and guitar player, Ruy Mingas is one of his homeland's most famous musician and performer. Well known and loved in his home country and beyond since the late 50's, Mingas has long been known as pioneer in African music. Mixing musical elements of his Afro-Portuguese heritage with jazz and latin music. He is not only a beloved musician, but a leader to his people, because of his political lyrics. Mingas began to float back to the tops western attention in the mid-to late '90s. Today, drawning on his cultural and politic background, Mingas serves as the Minister of Culture of Angola. He is still and regulary records and performs.
It is my second post from Angola and still from Vivien the great. Remember this previous one of Conjunto Os Tropicais.
This 1969's recording (Africa Negra) is a french pressing which has been sent to me by the great Vivien from France. Here is the cover...
oro


... and here is the original pressing's cover from Angola...

The illustration of this post is taken from a fabulous Mati Klarwein's painting calle "Blessing" and painted in 1965. I am sure that he is watching and listening to this post: " Please Mati, forgive me for this bad copy..."

Orchestre Picoby Band (1965's Festival)

Orchestre Picoby Band from Abomey was created in 1953. Abomey is the capital of Dahomey's Kingdoms. In 1965 the band participated in the first national music festival. They arrived third, just behind another great band from Dahomey: Anassoua Jazz Band. This 7 Inch is a recording from this 1965's festival, which took place in Cotonou. I invite you to read this post from Radiodiffusion Internasionaal Annexe which is very complete. You will excuse the quality of the vinyl. Enjoy this rare record of pure gold afro-cuban songs.

- Mado Winwé (Bolero)
- Akouavi (Bolero)
- Ahobobo (Rumba)
- Egbnon Noukountchémé (Tango)

Balla & Ses Balladins (Guinea/1974)


Balla et ses Balladins (also known as Orchestre du Jardin de Guinée) were a dance-music orchestra formed in Conakry in 1962 following the break-up of the Syli Orchestre National, Guinea's first state-sponsored group.

Also called the Orchestre du Jardin de Guinée, after the "bar dancing" music venue in Conakry that still exists today, the group made a number of recordings for the state-owned Syliphone label and become one of the first modern dance musical groups in Guinea to use traditional musical instruments and fuse together traditional Guinean folk music with more modern influences.


Ambroise Akoha



Ambroise Akoha began his career in 1971. He is called Jukko. He performed between 1975 and 1977 as Gnonnas Pedro's guitarist.

This is his first album, recorded during the late 70's. The famous singer Miguelito is singing chorus and different rhythms such as makossa, reggae, slow...

Mamadi Diabate (Mali/1984)


Mamadi Diabate was born in Kela (Mali) in 1946. He began working as a tailor during the sixties in Bamako where he started playing guitar and singing. Unfortunately, his career was short. He recorded very few LP's, one in 1985 with Kante Manfila and the Ambassadors and this one in 1984. He also recorded with Ousmane Kouyate on a record you can fond here.

 
Mamadi Diabate est né à Kela au Mali en 1946. Durant les années 60s, alors qu'il travaille comme tailleur, il commence l'aprentissage de la guitare et du chant. Malheuresement sa carrière de musicien sera courte. Il enregistre de rares albums comme celui ci en 1984, ou en 1985 avec Kante Manfila. Il a aussi enregistré avec Ousmane Kouyate sur un album que vous pouvez trouver ici.

Orchestre Black Santiago & Aristide Houwanou (1972)


  
Recorded on satel label in 1972. Music and Lyrics by Aristide Houwanou.


Enregistré en 1972 sur le label Satel. Paroles et musique d'Aristide Houwanou.