MIGAN CELESTIN

Célestin Migan alias Mig-Tino mérite un courrier spécial. Je réunis donc plusieurs univers musicaux composés et chantés par le plus grand guitariste béninois des années 70's. Cette série de disques a été enregistré entre 1975 et 1980. Le premier est inédit sur Oro.

Celestin Migan alias Mig-Tino deserves a special post. Here are different musical worlds composed and sung by the greatest beninese guitarist during the 70's. This set of records were composed between 1975 and 1980. The first is new on Oro.

Célestin Migan était le chef d'orchestre des "Commandos", connus pour avoir longuement accompagné El Rego. Sur ce 45 tours édité sur le label "Columbia", Migan chante en Français. "Je m'en fous" est un superbe rythme cavacha, "Pas de sot métier" est un rythme folklorique qui prône la vie de musicien car "la musique c'est du travail".

ME 002

Migan Celestin used to be the leader of "The Commandos" band, also known as El Rego's backing band. This single edited on label "Columbia" and Migan sings in french. "Je m'en fous" (I don't care) is a wonderful cavacha rhythm, "Pas de sot métier" (No silly business) is a traditional rhythm which lyrics promote musician lifestyle because "music is a work".

Cet autre 45 tours a été enregistré avec l'orchestre Supermen, une formation qu'a crée Migan après les Commandos. Une face A totalement soukous dans lequel Migan nous dévoile tous ses talents de guitariste. La face B est un rythme agbadja ou là encore la guitare est surprenante.

EB 001 

This other single was recorded with the "Supermen" band, an other orchestra created by Celestin after the "Commandos". Side 1 is a terrible soukous rhythm which reveals Migan's talent as guitarist. Side 2 is an agbadja rhythm with surprising guitar again.

Pour finir en beauté, un album sublime enregistré avec Danialou Sagbohan à la batterie et aux choeurs ainsi que Tidjani Koné au saxophone." Agbeyame" est le titre phare de ce disque, une chanson mélancolique inoubliable. Pour la petite histoire, l'enregistrement s'est fait en une prise.

DISCO 16

To finish off, a sublime album featuring Danialou Sagbohan on drums and backing vocals, and Tidjani Kone on saxophone. This record was edited on famous label Papa Disco. "Agbeyame" is one of the best track, a melancholic and unforgettable song. For the story, the recording was done in one take.

King N'Gom (Senegal)

King Meissa N'Gom is a Senegalese salsero. His father was a very famous politician. His brothers and sisters have done great studies like him who went to the "Ecole Normale Supérieur" (Superior High School). But his love for music made him become the black sheep of his family. He began his career during the end of sixties and recorded several Afro-Cuban titles sung in Spanish. In 1975, he went to Benin where he had to play at the Appolo club, a legendary live music club in West Africa. He had to stay three days in Cotonou, he will stay three years and become a real star, playing with Danialou Sagbohan's band, the Djiki band, and recording few tracks. Then he left Benin for Mexico where he remained ten years, singing salsa in a hôtel. 

King Meissa N'Gom est un salsero Sénégalais issu d'une très grande famille de politiciens. Tous ses frères et soeurs ont fait de grandes études tout comme lui qui fait l'école Normale Supérieure en France. Mais son amour de la musique le fait devenir le mouton noir de la famille. Il débute sa carrière durant la fin des années 70s et enregistre plusieurs 45T de musique Afro-Cubaine chantés en Espagnol. En 1975, il part au Bénin, pour trois jours, où il doit jouer dans le club Appolo, un club mythique en Afrique de l'Ouest. Il restera trois ans, avec l'orchestre de Danialou Sagbohan, le Djiki Band, et enregistera plusieurs titres. Puis il quitte le Bénin pour le Mexique ou il restera 10 ans comme salsero dans un orchestre du Club Med.

Because of his father who did not want him to become a musician, King N'Gom went to Ivory Coast where he recorded his first tracks in 1970 on Djima Records label. On the first record, he sings the inevitable "Guantanamera" and the title "Fatema", a guaguanco that I really like.

DAD 881

On the second Djima record, he sings a son ("Param Pam Pam") and guaracha ("M'Bakham Diop") with still a hard understanding spanish. But his voice and particulary the flute make us forget the language.

DAD 882

This third EP posted by Worldservice blog was recorded in 1976 in Cotonou with the orchestra Les Perles Noires ("the black pearls"). I really like this one and put the link from Worldservice.

EB 002

Thirty years after the Appollo club, King N'gom is invited in Cotonou, by the owner of the club, to play with Danialou Sagbohan for the wedding of his only daughter. Backed by the Black Santiago, this live recording was unforgetable. Sagbohan is playing kettledrum and King N'Gom 's voice is better than ever. They play "El Manicero" and "El Salsero de Brazzaville", afro-latin songs that King had not sang for 15 years. Enjoy this great bonus...

King N'Gom & Danialou Sagbohan (live 2005)