Showing posts with label Harmonie Voltaique. Show all posts
Showing posts with label Harmonie Voltaique. Show all posts

Maurice Sempore & Orchestre Harmonie Voltaïque (BURKINA-FASO/1977)


Happy new year to every body. Thank you all for your support and your pleasant comments. For beginning this year enjoy this great record of Maurice Semporé released in 1977 backed by orchestra Harmonie Voltaïque. I am sur you will fall in love with the solo percussions of "M'Zaame Ne M'Beogo".


Bonne année a tous. Merci a tous pour votre soutien et pour vos commentaires si agréables. Pour commencer cette année profitez de ce magnifique disque de Maurice Semporé sorti en 1977 accompagné par l'orchestre Harmonie Voltaïque. Vous tomberez amoureux du solo de percussions sur "M'Zaame Ne M'beogo".

Maurice Sempore & L'HARMONIE VOLTAIQUE (Burkina/1976)


Encore une bonne surprise venue du Burkina (Haute Volta) et comme toujours pressée au Bénin. Le morceau "Sona Voci" est anthologie, ça parle de cinéma et de cinéma....
Voici une histoire de l'orchestre Harmonie Voltaique et de son leader Maurice Sempore racontée par Benjamin Medou (ici).

L’orchestre Harmonie Voltaique a été fondé en 1948 grâce à un fonctionnaire colonial de l’époque, Antoine Joseph Ouédraogo dit « Borfo ». Rentré du Mali, ce dernier constata que, pour faire une soirée, il fallait recourir à des orchestres étrangers (de la Côte d’Ivoire en particulier). Il décida donc de créer un groupe dans la nouvelle Haute-Volta.
Le groupe musical, composé d’amateurs à l’époque, jouait alors à Koulouba, dans la cour du vieux Saré (père d’Antoine Saré, accordéoniste de l’orchestre) avec 50 francs comme prix d’entrée aux soirées. En 1950, le gouvernement, sensible à cette initiative d’Antoine Ouédraogo, accorde une subvention de 50 000 FCFA à l’orchestre. C’est en 1960 que le président Maurice Yaméogo aide l’Harmonie voltaïque à acquérir des instruments en France. Le groupe, avec son compositeur vedette, Maurice Semporé, va illuminer toute la Haute-Volta et d’autres contrées africaines de ses compositions splendides.




Another pleasant surprise coming from Burkina (Upper-Volta), and as always pressed in Benin. The song "Sona Voci" is anthology, it's about cinema and cinema again...
I also join a story of orchestra Harmonie Voltaique and its leader Maurice Sempore written by Benjamin Medou (here).


The orchestra Harmonie Voltaïque was founded in 1948 by a colonial official at the time, Antoine Joseph Ouedraogo called "Borfo". Returned from Mali, he found that it was necessary to use foreign orchestras (from Ivory Coast in particular). So he decided to create a new band in the Upper Volta.
The band, composed of amateurs at the time, played at Koulouba in the courtyard of old Sare (Sare Antoine's father, accordion player in the band) with 50 francs CFA as entrance for the party. In 1950, the government, sensitive to the initiative of Antoine Ouedraogo, gave a grant of 50 000 francs CFA to the orchestra. It was in 1960 that president Maurice Yameogo helped Harmonie Voltaique band get modern instruments coming from France. The band, with its featured composer, Maurice Sempore, will illuminate the entire Upper Volta and other African countries for its splendid compositions.

Burkina Faso (1974-1978)



Orchestre Harmonie Voltaique:
It was the oldest and most prolific orchestra in the Upper Volta. In the Latin-Mossi track "Nwendaramba" the singer points out that those who wear shoes can do what they like whereas the poor will always be pushed from pillar to post. In the final track, "M'baba Taram", the band open up the guitars for a song about a spoilt son who meets his comeuppance when he squanders his inheritance and is reduced to selling kebabs in the street.

Orchestre Super Volta:
Super Volta were the key band for CVD, provinding most of the music for its two major singers, Amadou Ballake and Sandwidi Pierre. Alongside there work with them the band can be heard here with Cisse Abdoulaye on his composition "Son Magni", a complaint about a lazy sister.

Sandwidi Pierre:
In song after song he dignified the vast rural majority of the Upper Volta whilst sparing the urban elite no quarter. The first song of Sandwidi's songs included on thsi compilation, "Ouaga Affaires", recorded with Harmonie Voltaique, tells the story of a man leaving the countryside to meet his friend in the capital. Disillusioned with the treatment of the rural majority by the urban middle class he launches into a catalogue of Ouaga's vices.
In "Yamb Ney Capitale" , recorded with Super Volta, Sandwidi tells the story of a man born in Ouagadougou who goes to work as a civil servant in a rural district. He returns to Ouaga for holiday and meets a woman in a bar. He takes her out for the night and she accompanies him back to his hotel. In the morning he 300 CFA as a present but she insists a night costs 1000 CFA and unles he pays she will report him to the police.
In the song "Mam Ti Fou", against with Super Volta, Sandwidi is called a thief for standing beside a man's car, which prompts him to unleash an invective against his bourgeosie accuser.

Amadou Ballake:
His unsparalleled voice was destined to make im a superstar in the orchestra Harmonie Voltaique. He quickly formed his own group, Les 5 Consuls, with the superb Mangue Konde on lead guitar. The band can be heard here with their excellent latin number "Baden Djougou".

Mangue Konde:
His best work, as a composer, would come after Les 5 Consuls disbanded and he teamed up with Super Mande of Côte d'Ivoire. Super Mande's heavy rhythm section provided the ideal framework for Konde's guitar and the band can be heard her in full effect with the track "Touba". You can also listen to his fantastic album taht I posted HERE.

And also Supremes Kombemba Orchestra, Mamo Lagbema and Dafra Star.

Harmonie Voltaique (Burkina-Faso/1978)


The group was founded by Antoine Ouedraogo in I948. They were the first group created to play "modern music" in what was then the French West African colony of Upper-Volta.

oro
 


These singles were composed by Henri Tabsoba who integrated the band in I966. During the sixties, the group started to perform songs in "Moore" (the language of the Mossi people).